I decided to work on a section of the dampers, specifically, the seven dampers between C and F-sharp, below middle C, which are the last seven of the overstrung notes, and are bi-chords, that is, two strings to each note, and are wire. The rest of the overstrung sections are four wound bi-chords, and then twenty wound mono-chords, down to the low C. (Remember, this instrument has only 85 keys, and ends at C top and bottom.)
Well, the damper felts on there now are pretty distorted from their original shapes, after all these years. Using a protractor and graph paper, i drew a pattern for the shape of the felts. Oh, before all that, I had to measure the angle of the damper arms to the strings, which varies from 103 degrees to 110 degrees. So I made my diagrams and charts, and figured out how to cut my felts, to fit the peculiar shapes. Here are some pictures:
So, I cut my felts 1 1/8" on my little guillotine, and made the first 110 degree cuts, and after a couple discards, I had a set.
Here is a picture of the felts placed on the strings, in place, with the damper arms removed.
So I had my set of seven dampers, one of them trimmed into an irregular heptagon.
Meanwhile, I had removed the old felts from the damper arms with the simple application of hot water with a q-tip, and the glue easily dissolved, letting me peel off the fabric. Here are the clean damper arms laid out.
So, it's back to the design board again. Clearly every felt is going to have to be individually shaped.
Ah, well, that's what a hobby is all about!
I got a nice long straight-edge today, and a fresh bottle of glue, and some colored pipe cleaners so I can easily label strings and tuning pins and action parts and all.
But I am committed now. It is not playable any more. Work begins!
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